Latest Sarees Biography
Source (Google.com.pk)Their fashion house IMBIAS is one of the biggest brands of Pakistan, known exclusively for impeccably created style-loaded wedding dresses. Their wedding collection includes Kurta for Mehndi, Sherwani for Barat, bridal lehngas and fancy party-wear for women. In addition to that, they also offer Khusa, Pagri with the bridal package.
Their wedding collections are grand amalgamations of timeless tradition and contemporary fashion. The other distinction of designers Imran and Rabia is their subtle ensembles.
Their fashion house IMBIAS is one of the biggest brands of Pakistan, known exclusively for impeccably created style-loaded wedding dresses. Their wedding collection includes Kurta for Mehndi, Sherwani for Barat, bridal lehngas and fancy party-wear for women. In addition to that, they also offer Khusa, Pagri with the bridal package
Esha deol wedding was an auspicious occasion. She was dressed to look best on her wedding day. Designers Neeta Lulla with her daughter Nishka Lulla was asked to make outfit for the bride and her family members for this grand occasion. Esha deol wedding was a mixture of South Indian and North Indian style. Esha deol wore a red and gold studded kanjeevaram sari which was brought from Chennai by Hema Malini to which designer Neeta Lulla made some appropriate changes. The younger sister Ahana Deol wore a silk sari and looked pretty as well. Hema Malini wore a kancheevaram sari which was redesigned by Neeta Lulla.
In South India and especially in Kerala, women from most communities wore only the sari and exposed the upper part of the body till the middle of the 20th century. Poetic references from works like Silappadikaram indicate that during the Sangam period in ancient Tamil Nadu, a single piece of clothing served as both lower garment and head covering, leaving the midriff completely uncovered.Similar styles of the sari are recorded paintings by Raja Ravi Varma in Kerala. By the mid 19th century, though, bare breasted styles of the sari faced social revaluation and led to the Upper cloth controversy in the princely state of Travancore (now part of the state of Kerala) and the styles declined rapidly within the next half a century.
In ancient India, although women wore saris that bared the midriff, the Dharmasastra writers stated that women should be dressed such that the navel would never become visible.By which for some time the navel exposure became a taboo and the navel was concealed.
Their fashion house IMBIAS is one of the biggest brands of Pakistan, known exclusively for impeccably created style-loaded wedding dresses. Their wedding collection includes Kurta for Mehndi, Sherwani for Barat, bridal lehngas and fancy party-wear for women. In addition to that, they also offer Khusa, Pagri with the bridal package.
Their wedding collections are grand amalgamations of timeless tradition and contemporary fashion. The other distinction of designers Imran and Rabia is their subtle ensembles.
Their fashion house IMBIAS is one of the biggest brands of Pakistan, known exclusively for impeccably created style-loaded wedding dresses. Their wedding collection includes Kurta for Mehndi, Sherwani for Barat, bridal lehngas and fancy party-wear for women. In addition to that, they also offer Khusa, Pagri with the bridal package
Esha deol wedding was an auspicious occasion. She was dressed to look best on her wedding day. Designers Neeta Lulla with her daughter Nishka Lulla was asked to make outfit for the bride and her family members for this grand occasion. Esha deol wedding was a mixture of South Indian and North Indian style. Esha deol wore a red and gold studded kanjeevaram sari which was brought from Chennai by Hema Malini to which designer Neeta Lulla made some appropriate changes. The younger sister Ahana Deol wore a silk sari and looked pretty as well. Hema Malini wore a kancheevaram sari which was redesigned by Neeta Lulla.
In South India and especially in Kerala, women from most communities wore only the sari and exposed the upper part of the body till the middle of the 20th century. Poetic references from works like Silappadikaram indicate that during the Sangam period in ancient Tamil Nadu, a single piece of clothing served as both lower garment and head covering, leaving the midriff completely uncovered.Similar styles of the sari are recorded paintings by Raja Ravi Varma in Kerala. By the mid 19th century, though, bare breasted styles of the sari faced social revaluation and led to the Upper cloth controversy in the princely state of Travancore (now part of the state of Kerala) and the styles declined rapidly within the next half a century.
In ancient India, although women wore saris that bared the midriff, the Dharmasastra writers stated that women should be dressed such that the navel would never become visible.By which for some time the navel exposure became a taboo and the navel was concealed.
Latest Sarees Langa Voni Davani Voni Designs Township PHoto Voni Sarees Designs Blouse For Kids Photo
Latest Sarees Langa Voni Davani Voni Designs Township PHoto Voni Sarees Designs Blouse For Kids Photo
Latest Sarees Langa Voni Davani Voni Designs Township PHoto Voni Sarees Designs Blouse For Kids Photo
Latest Sarees Langa Voni Davani Voni Designs Township PHoto Voni Sarees Designs Blouse For Kids Photo
Latest Sarees Langa Voni Davani Voni Designs Township PHoto Voni Sarees Designs Blouse For Kids Photo
Latest Sarees Langa Voni Davani Voni Designs Township PHoto Voni Sarees Designs Blouse For Kids Photo
Latest Sarees Langa Voni Davani Voni Designs Township PHoto Voni Sarees Designs Blouse For Kids Photo
Latest Sarees Langa Voni Davani Voni Designs Township PHoto Voni Sarees Designs Blouse For Kids Photo
Latest Sarees Langa Voni Davani Voni Designs Township PHoto Voni Sarees Designs Blouse For Kids Photo
Latest Sarees Langa Voni Davani Voni Designs Township PHoto Voni Sarees Designs Blouse For Kids Photo
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